Watch out studios, here we come - Stephen Silver
Tuesday Tips - Power Shading
Here’s a technique I use often when attending life drawing sessions, especially nude sessions. I feel like it gives an energy and direction as well as clear volume to the figure. The more i know about underlying muscles, bones and general body structure, the more I can express through this technique. It’s kind of like a classic brush work when dealing with ink. It’s just more forgiving when using a Conte stick, by varying the angle and pressure of it.
Try it out!
Storytelling Workshop on Sat Aug 2nd in Burbank
Come join me for a STORYTELLING WORKSHOP at the Center Stage Gallery.
10-11 am Networking
11am - 4pm Storytelling Workshop
Lunch Included. $125 per person
Tuesday Tips - FOLDS
More on folds today. I will eventually cover all types of folds but today is about simple folds on everyday clothes (t-shirt, jeans). The key is to know what to expect and then applying what you know to simplify what you see in front of you (when life drawing). A lot of the folds dynamics on shirts and jeans come from the “memory” of the fabric itself. Denim is thick and is likely to keep some form of wrinkles or folds around certain areas (knees). A lot of zig-zag patterns around the knee is very likely. When pushed down on the feet, the denim fabric will bunch up and combine with the zig-zag pattern. Shirts and t-shirts will react to the twist and pull of the arms and torso. Identify where the pull (or tension) is coming from and work from it. I tend to draw the seams because they clearly express the volumes underneath.
Today with a lot of excitement ( and a little bit of nervousness) we are launching our first ever Kickstarter project called 3000 Moments.
If you’ve followed me for a while, you’ll know that I’ve published several sketch books over the years… this is the first one that will be a true compilation of my sketches of the day, with tips and tutorials on how I do my images, insights on how I think about my work, some stories about how I got in the industry, stories about my life and a few more goodies.
The book is a collection of the best daily sketches from the past ten years.
I hope you guys like this project and will help us with it and please share this if you like it.
My buddy Pascal just launched a Kickstarter for his compilation book. You should check it out, and even help fund if you feel so inclined.
Tuesday Tips - LINE OF ACTION
The line of action doesn’t necessarily need to be drawn in. As long as you think about it while drawing, your gesture or posing will be stronger. It gives a direction to the pose, a force that runs though, or simply a visual pathways to guide your audience. Use it always!
Tuesday Tips - STRAIGHT against CURVES
This principle really helps to create shapes and characters with “points of interest”. The straights move the eye towards the areas of curves, bumps and details. I mostly focused on the silhouettes of the shapes/characters, but the same principles should also be applied to shapes and volumes inside the main shape/volume.
Thanks for all the great emails and questions about putting a portfolio together. I’ve been getting a lot of the same questions and decided it would be a better use of my time to write it all out. I’ve derived the content from from my own experience and internships before having a full-time job. As you’ll read, a portfolio is the most important thing you’ll do when applying to a job. I’ve tried to be as detailed as possible.
These are the first five pages in a series of posts about how to layout a portfolio, including content, images, size, material and everything in between. Part I is for the artist still deciding what to do for a discipline. I’ve catered the last three pages to a visual development portfolio for animation but the principles can be applied to any artistic presentation (illustration, design, even interior design).
These are my opinions and I realize there are many ideas out there which are also fantastic. What I have written are simple truths and tips I’ve learned along the way. This doesn’t represent a studio I work or will work for. I hope it is helpful and can provide some perspective into a competitive portfolio and help you land your next job!
COSMOS: A Spacetime Odyssey
Part IV: Drought